“If you want to be a writer, you must do two things above all others: read a lot and write a lot.”
“Read a lot. Read anything you can get your hands on.”
“Read a thousand books and your words will flow like a river.”
If you’ve clicked on the link and read up to this sentence, you are already some of the way there. This point has been driven home by so many writers already, it has become a cliché. To be a good writer, you should read regularly. (Maybe not as much as a thousand, but it’s a goal? At this point, you may either say, “Duh, what’s new?” or “But I can’t concentrate on reading while I’m writing.”. read more
I already touched on this topic in Blog 37: On The Importance Of Words, but I wanted to write more about the language and terminology that we use.
As a writer getting the language and terminology right for your characters, setting, plot and storyline is important. The writers who nail this often have the best-selling novels, whilst the writers who don’t, often trail behind. Now that’s not to say that every best-selling novel is a good book and every other book is bad, but you can definitely tell when a book is more likely to be good, based on the language and terminology that the author uses.
Language and terminology can be used to add colour and complexity to your characters without compromising on your word count. Sticking to stereotypes for now, the evilness of your antagonists can be increased with the language and terminology that they use. If their language is mean, cold, and/or condescending, it is likely that the reader will ‘dislike’ these characters. Similarly, the goodness of your protagonists can be amplified by the honesty, good-will and politeness that may shine through in how they speak and interact with other characters. Not only this, but the language and terminology used by characters when they talk about other characters, can be used to paint pictures and nudge the reader’s opinions of those other characters. This happens all the time in real life, you see it in advertising, music, the media, and pretty much every single thing that is written, everyone has an opinion and their own lives, and naturally this will come through in their work, their mannerisms and what they say, even if they’re not aware of it. read more
When I was in high school and studying English Literature, we read books like ‘Of Mice And Men’ and ‘An Inspector Calls’. One day that I remember clearly, a student asked the English teacher why we were bothering to study the sentences in such detail. This student was sure that writers would not and did not plan every single sentence they wrote. They thought that if a writer chose to write that the curtains were blue then they simply were blue and that it was not a subtle attempt at drawing out feelings of sadness from the reader. My teacher didn’t have a reply at the time, but after writing a book, reading hundreds of other books and many years later, I do have a reply. read more
Q1) Briefly, how would you describe ‘In the Depths of Darkness’ to someone who hasn’t read any of your previous work?
In the Depths of Darkness follows a group of outcasts blackmailed into joining the oppressive Earth Alliance army, only to discover they’re the test subjects for an advanced neural Chip that will make them into super soldiers. If they survive. But once the rest of the galaxy finds out they have the Chip, they are forced to go on the run and find somewhere—anywhere—safe.
It’s a YA Star Wars meets Firefly with some Ender’s Game thrown in.
Q2) How long did it take for you to finish and publish ‘In the Depths of Darkness’?
This was my most ambitious project to date. Book one took me about six months to write and do my edits on. Then another 2-3 months to have readers/editors take a look and input their edits. I was actually done with it near the middle of 2016, but I held off to release it so I could get the second one started. I haven’t released Book 2 yet, but it’s done, and I have just a little editing left before letting other people look at it. read more