If you write and publish books for a living then you probably groaned when you read the title of this blog. It can take many months (6 months minimum) between finishing your book and all of its edits, to it finally being published. Many authors begin writing their next book whilst simultaneously working on the finishing touches for their last book, and by finishing touches, I mean final edits, book covers, taglines and blurbs. It can be a bit of a headache, especially if you’re like me and you’d rather forget your previous work and focus solely on your new book idea instead. However, the title of this blog has been purposefully selected, as many authors and non-authors alike tend to overlook the importance of book covers, taglines and blurbs.
Let’s start from the top, as frustrating as it can be to look at your book and think ‘I have no idea what cover it should have or where to even begin’, getting a good book cover is incredibly important. The ‘don’t judge a book by its cover’ may hold true in a lot of cases, but everyone knows that people do judge books by their covers. It can be the difference between someone picking up your book or just passing a glance over it.
If you read a lot of books then you have probably noticed that certain types of book covers tend read more
Although I’ve been busy writing away in a vampire-style, hermit fashion, I have read one book recently that made me chuckle and say ‘this sounds familiar’. Why familiar? Well it’s because this book gives an honest insider’s view of my part-time job, and that book is Shaun Bythell’s ‘Diary Of A Bookseller’.
If you haven’t guessed by now or read my other blogs, I’m currently working part-time in a large second hand bookshop. It’s got two floors and over seventy thousand books, with genres ranging from fiction, sci-fi, classic fiction and children’s to history, science and art. Seventy thousand is a big number, and as John Green mentioned in his vlog on Tuesday, humans tend to be pretty bad when it comes to visualising big numbers. So think of it this way, imagine your average small retail shop and then times it by six or eight, that’s about the size of the bookshop I work in. You may be wondering why I’m trying to get you to visualise the scale here, but scale is important. Shaun Bythell, the author of the ‘Diary Of A Bookseller’, runs The Bookshop in Wigtown in the Dumfries and Galloway region in Scotland, which has one hundred thousand books. read more
“If you want to be a writer, you must do two things above all others: read a lot and write a lot.”
“Read a lot. Read anything you can get your hands on.”
“Read a thousand books and your words will flow like a river.”
If you’ve clicked on the link and read up to this sentence, you are already some of the way there. This point has been driven home by so many writers already, it has become a cliché. To be a good writer, you should read regularly. (Maybe not as much as a thousand, but it’s a goal? At this point, you may either say, “Duh, what’s new?” or “But I can’t concentrate on reading while I’m writing.”. read more
When I tell people that I’m an author and that I write YA fiction, I am often met with looks of wonder and awe. Most people seem to think that writing a book is an amazing feat, something that ordinary people just cannot do. It is flattering to say the least, and as much as it does take a certain type of person with a good imagination and determination, a lot of it actually just comes down to hard work and perseverance. These looks of wonder and awe are often followed by questions about my work and life. Questions which I struggle to answer adequately on the spot, so here is a picture instead.
This is a conservative picture of what my work and life looks like when I’m working on a novel. I say conservative because this picture is minus the caffeine, sleepless hours, hundreds of binned crumpled notes, dozens of typed draft versions, culling of characters, the rewrites, and the final edit. This picture is just part of what it takes for me to write a story, a story I’m not sure anyone is going to read or like at the end of the day, and as for sales, well, I hope so!
People often ask me how do I write a book and what is it like? read more
The wonderful thing about writing is that you can write anything, including all those things that you really want to say but are too afraid to. Writers are commonly described as introverts, and I would tend to agree since I lean towards the introvert end of the spectrum myself. During my school years I was painfully quiet, every parent’s evening my teachers would praise my work and grades and then they would say the dreaded ‘but’ word, usually followed by something like read more
A friend once told me that they had an idea for a book that they wanted to write. When I asked why they weren’t writing it, they listed a number of excuses, but one stuck out to me in particular. They wanted their idea to be completely new and original, and they didn’t want to write something that wasn’t. Now I was puzzled by this, the idea of creating a completely original story is something that I think many authors would love to and dream about achieving, but I don’t feel that this is a realistic possibility. read more
“The funny thing about writing is that whether you’re doing it well or you’re doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.” – John Green
If you’re an indie author and either have, or are considering self-publishing, then let me borrow a few minutes of your time to tell you why I think investing in a good editor is important.
I’ve read many books over the years and I’m by no means an expert in the field of writing, but I have noticed reoccurring patterns and feelings. Particularly feelings of disappointment and confusion when a book I’ve been reading has fallen flat or the characters have just acted bizarrely for no apparent reason, and yes I have fallen into this trap too.
As a writer and author, I know how difficult it is to come up with compelling, yet realistic ideas that make sense for your story. When I was writing my first published book Anomaly, which I rewrote dozens of times with the help of a couple of editors, I found that in later rewrites my mind had become so saturated with my story that I could no longer decide whether my writing and ideas were good, or if they were just plain terrible. I experienced feelings of panic and anxiety for weeks and months, even after I finished the book and it went off for publication. In fact, the earliest versions of Anomaly bear very little resemblance to what I eventually wrote and published in 2016. read more
When I was in high school and studying English Literature, we read books like ‘Of Mice And Men’ and ‘An Inspector Calls’. One day that I remember clearly, a student asked the English teacher why we were bothering to study the sentences in such detail. This student was sure that writers would not and did not plan every single sentence they wrote. They thought that if a writer chose to write that the curtains were blue then they simply were blue and that it was not a subtle attempt at drawing out feelings of sadness from the reader. My teacher didn’t have a reply at the time, but after writing a book, reading hundreds of other books and many years later, I do have a reply. read more
Q1) Briefly, how would you describe ‘Phoenix, Book 1 of The Peradon Fantasy Series’ to someone who hasn’t read any of your previous work?
Phoenix is a Fantasy tale with various elements of magical realism wound in. It centres around the land of Peradon, whose four realms became separated when those with differing abilities warred against one-another. It is a tale of young minds seeking freedom, comfort, and love in a place where such things appear as a commodity. Earth, Fire, Air, and Frost magic go hand in hand with conspiracy, betrayal, and a twisted sense of romance.
Q2) How long did it take for you to finish and publish ‘Phoenix’?
It took me roughly a year and a half to work through the writing, editing, and publishing process altogether. At the moment, I’m working to create a second edition of Phoenix, which I’m referring to as Phoenix 2.0. I’ve been working on this edition for the past few months and hope to provide a dazzling magical experience for readers. read more
I have recently read George Orwell’s essay ‘Bookshop Memories’ – the cynic in me was delighted. I’ve been working in a second hand bookshop part-time for the past couple of months and even though I haven’t come across all the types of customers Orwell describes, it’s safe to say I had little trouble imagining them.
I can understand honestly Orwell’s frustrations, but I think his account is somewhat unfair and not quite so accurate nowadays, though I guess time may change my mind. I do believe that you have to be a certain kind of person to enjoy working with books, and although I’d struggle to describe that type of person, even to myself, I can tell you what type of person it most definitely isn’t. read more