I already touched on this topic in Blog 37: On The Importance Of Words, but I wanted to write more about the language and terminology that we use.
As a writer getting the language and terminology right for your characters, setting, plot and storyline is important. The writers who nail this often have the best-selling novels, whilst the writers who don’t, often trail behind. Now that’s not to say that every best-selling novel is a good book and every other book is bad, but you can definitely tell when a book is more likely to be good, based on the language and terminology that the author uses.
Language and terminology can be used to add colour and complexity to your characters without compromising on your word count. Sticking to stereotypes for now, the evilness of your antagonists can be increased with the language and terminology that they use. If their language is mean, cold, and/or condescending, it is likely that the reader will ‘dislike’ these characters. Similarly, the goodness of your protagonists can be amplified by the honesty, good-will and politeness that may shine through in how they speak and interact with other characters. Not only this, but the language and terminology used by characters when they talk about other characters, can be used to paint pictures and nudge the reader’s opinions of those other characters. This happens all the time in real life, you see it in advertising, music, the media, and pretty much every single thing that is written, everyone has an opinion and their own lives, and naturally this will come through in their work, their mannerisms and what they say, even if they’re not aware of it. read more
The idea of marketing your book can be overwhelming, especially if you’re an indie author and you’re just starting out. Below are some of the thoughts and suggestions from a marketing friend of mine who has been looking at the most effective promotional tools for authors. From branding, to online and offline marketing, here is everything you need to know to get started…
The wonderful thing about writing is that you can write anything, including all those things that you really want to say but are too afraid to. Writers are commonly described as introverts, and I would tend to agree since I lean towards the introvert end of the spectrum myself. During my school years I was painfully quiet, every parent’s evening my teachers would praise my work and grades and then they would say the dreaded ‘but’ word, usually followed by something like read more
A friend once told me that they had an idea for a book that they wanted to write. When I asked why they weren’t writing it, they listed a number of excuses, but one stuck out to me in particular. They wanted their idea to be completely new and original, and they didn’t want to write something that wasn’t. Now I was puzzled by this, the idea of creating a completely original story is something that I think many authors would love to and dream about achieving, but I don’t feel that this is a realistic possibility. read more
“The funny thing about writing is that whether you’re doing it well or you’re doing it poorly, it looks the exact same. That is actually one of the main ways that writing is different from ballet dancing.” – John Green
If you’re an indie author and either have, or are considering self-publishing, then let me borrow a few minutes of your time to tell you why I think investing in a good editor is important.
I’ve read many books over the years and I’m by no means an expert in the field of writing, but I have noticed reoccurring patterns and feelings. Particularly feelings of disappointment and confusion when a book I’ve been reading has fallen flat or the characters have just acted bizarrely for no apparent reason, and yes I have fallen into this trap too.
As a writer and author, I know how difficult it is to come up with compelling, yet realistic ideas that make sense for your story. When I was writing my first published book Anomaly, which I rewrote dozens of times with the help of a couple of editors, I found that in later rewrites my mind had become so saturated with my story that I could no longer decide whether my writing and ideas were good, or if they were just plain terrible. I experienced feelings of panic and anxiety for weeks and months, even after I finished the book and it went off for publication. In fact, the earliest versions of Anomaly bear very little resemblance to what I eventually wrote and published in 2016. read more
‘Once Upon A Time’ to ‘Mr. and Mrs. Dursley of number four, Privet Drive’. How and why did story writing change so much? And what can we learn from it?
Traditionally, word of mouth was the only way to communicate and share stories, but with the advent of writing implements and machines, stories were recorded and eventually, mass produced. Paperbacks and hardbacks adorn our bookshelves today and it is as simple and easy as going to the supermarket to pick up your next novel. We don’t even have to leave the house anymore; the rise of electronic books and portable tablets has given the modern world instant access to billions of stories with just a single touch, and I’m sure stories and technology will continue to evolve in ways we can barely imagine today.
It is argued that the earliest forms of storytelling can be contributed to read more
At the beginning of this year I set myself the task of reading more books considered ‘classics’ in order to widen my literary knowledge and improve my writing skills. After asking a friend and colleague for book recommendations, I have made it to and finished the modern classic and short story, ‘Heart of Darkness’ by Joseph Conrad. Previously, I had never heard of Joseph Conrad, so I decided to do some research about the author.
Joseph Conrad was born in December 1857, he was a Polish-British writer who was granted British nationality in 1886. Many of his works feature nautical settings which is not surprising considering Conrad expressed a desire to go to sea and spent time working on French merchant vessels before joining a British ship as an apprentice.
The ‘Heart of Darkness’ explores the effects of European imperialism and colonialism in Africa, both for the African people who lived there and the Europeans who were sent there as part of the now, illegal, ivory trade. Conrad writes from read more
When I was in high school and studying English Literature, we read books like ‘Of Mice And Men’ and ‘An Inspector Calls’. One day that I remember clearly, a student asked the English teacher why we were bothering to study the sentences in such detail. This student was sure that writers would not and did not plan every single sentence they wrote. They thought that if a writer chose to write that the curtains were blue then they simply were blue and that it was not a subtle attempt at drawing out feelings of sadness from the reader. My teacher didn’t have a reply at the time, but after writing a book, reading hundreds of other books and many years later, I do have a reply. read more
Ok so maybe some of these ideas are not so ‘novel’, but being an author doesn’t mean you have to write novels and huge epic trilogies all the time. Some people just don’t take to writing the longer stuff and that’s ok, because it doesn’t mean that you’re not a writer. Or perhaps you do write novels and you just fancy trying something different with your writing skills? Here are just a handful of ideas that you can try when you’re not feeling up to writing your novel, but you really want to write…
1) Write A Poem Or A Song.
You don’t have to write the next Homer’s Iliad or Queen’s Bohemian Rhapsody, but a little song, poem, or even just a couplet, might be a secret talent that you never knew you had. Poetry and song writing is a good way to get creative with words, and learn some new synonyms and antonyms whilst you’re at it.
2) Keep A Gratitude Diary. read more
Outlet Publishing and their team have kindly asked me to help judge their short story competition, and even though I haven’t written a short story myself, yet, and I’m certainly no expert. I am an avid reader and I have been through the writing and publication process, so I do feel in my humble opinion that I have a basic understanding of what works and what doesn’t.
Over the past two months I have read dozens of entries written by young, hopeful candidates. Some have been very good, others not so, but as the entries have been piling up around me I have noticed similarities and reoccurring patterns. The same mistakes have been cropping up again and again, and there appears to be a preference towards particular genres and themes. The latter is neither strictly bad nor good, but the former is most definitely bad. With this in mind, I am going to share with you some insight into what I feel short story competition judges are looking for, and hopefully help you and your short stories shoot to the top of the winning pile.
Tip Number 1: Read The Rules.
This may seem obvious, but make sure you read the competition’s specifications, rules and guidelines. I don’t know if it was because candidates couldn’t be bothered to read the rules or if they simply misread them, but a couple of the short story submissions I have recently received didn’t sit within the required word count. Judges may be able to forgive a word count that falls 10% above or below the maximum and minimum requirement, but if your story is more than 10% above or below then don’t submit it. Also, some competitions state a specific age range or country of residence, so make sure you read everything carefully before submitting your work.
Tip Number 2: Quality Over Quantity. read more